Comments on: Zelda Music of Golden Proportions: Follow-Up http://www.thetanooki.com/2007/03/04/zelda-music-of-golden-proportions-follow-up/ Nintendo Wii and DS news, reviews, opinions, and much more! Fri, 04 Jul 2008 21:22:59 +0000 http://wordpress.org/?v=2.5.1 By: Hooya http://www.thetanooki.com/2007/03/04/zelda-music-of-golden-proportions-follow-up/#comment-789 Hooya Mon, 05 Mar 2007 01:34:23 +0000 http://www.thetanooki.com/2007/03/04/zelda-music-of-golden-proportions-follow-up/#comment-789 Ah, and I meant to finish by saying that regardless of your skepticism (for those that are) numbers don't lie, and the GS is present in a lot of music, intentionally or not. Ah, and I meant to finish by saying that regardless of your skepticism (for those that are) numbers don’t lie, and the GS is present in a lot of music, intentionally or not.

]]> By: Hooya http://www.thetanooki.com/2007/03/04/zelda-music-of-golden-proportions-follow-up/#comment-788 Hooya Mon, 05 Mar 2007 01:33:32 +0000 http://www.thetanooki.com/2007/03/04/zelda-music-of-golden-proportions-follow-up/#comment-788 Ah yes, Zack's obsession with the Golden Proportion... What course number is that? It seems to basically be all he talks about. It's the first thing he looks for when analyzing a piece. He started 507 by listening to Phil Collins (great Zack quote: "OK, now let's get back to Bartok, I mean, Phil Collins"), Emenem, and James Brown (for static symmetry, Pappa's Got a Brand New Bag is very evenly split down the middle). You've pretty much brought up all the criticism about talking about the GS in music. Ah yes, Zack’s obsession with the Golden Proportion…

What course number is that? It seems to basically be all he talks about. It’s the first thing he looks for when analyzing a piece. He started 507 by listening to Phil Collins (great Zack quote: “OK, now let’s get back to Bartok, I mean, Phil Collins”), Emenem, and James Brown (for static symmetry, Pappa’s Got a Brand New Bag is very evenly split down the middle).

You’ve pretty much brought up all the criticism about talking about the GS in music.

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